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Home Baltimore Arts

UNCSA announces 2021 spring performance season

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February 8, 2021
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UNCSA announces 2021 spring performance season
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The College of North Carolina College of the Arts (UNCSA) declares the spring performance season, bringing a variety of occasions from the college’s 5 arts colleges to the group
and past with a sturdy collection of digital performances. UNCSA continues to regulate
to the restrictions of COVID-19 whereas presenting ingenious supply of theater, dance,
music, movie and extra that mirrors the artistic evolution of a performing arts {industry}
dealing with the consequences of the pandemic. 

VIEW ALL PERFORMANCES

Highlights of the season embrace the world premiere of a newly commissioned modern
dance work by Larry Keigwin; the return of Photona, a multimedia present of lighting
and projections; Modern Voices: A Digital Theater Competition of 4 filmed performs;
on-demand screenings of movies from the top-ranked School of Filmmaking; a mess of livestreamed performances from the School of Music, together with two opera double payments; and extra.

“Efficiency alternatives are one of many hallmarks of rigorous conservatory coaching,
mentioned Chancellor Brian Cole. “UNCSA continues to create progressive but protected and industry-approved protocols for
rehearsing and performing in the course of the COVID-19 pandemic. We’re proud to share the
work of our proficient student-artists with our group of arts lovers, and attain
much more folks by way of our digital occasions.”

Details about accessing performances is available online. Highlights of the efficiency season, offered without spending a dime except in any other case famous,
embrace:

College of Dance

World premiere of recent dance work on movie by Larry Keigwin
Friday, April 23 at 7:30 p.m.

Livestream (prerecorded content material)
The School of Dance presents the world premiere of a brand new modern dance work by award-winning choreographer
Larry Keigwin, commissioned for seniors within the contemporary dance program. Celebrated for creating acclaimed digital works within the COVID-19 world of on-line
dancemaking, Keigwin units his electrifying and refreshing imaginative and prescient to new music by New
York-based composer and sound designer Curtis Macdonald. The brand new work shall be captured
on movie in a number of places all through Winston-Salem this spring, showcasing the
athleticism and artistry of the Class of 2021.

Spring Dance
Friday and Saturday, April 30 and Might 1, and Friday and Saturday, Might 7-8 at 7:30
p.m.; Saturday, Might 1 and Saturday, Might 8 at 2 p.m.

Livestream (from Agnes de Mille Theatre)
The Spring Dance program will embrace each classical ballet and modern dance
that includes excerpts from the well-known classical ballet “Don Quixote” together with a piece
patterned after “Locus,” by pure motion choreographer Trisha Brown (staged by Abigail Yager of the Dance college), and a brand new work by former Pilobolus dancer Gaspard Louis.

College of Design & Manufacturing

Photona: Pulse
Friday, Feb. 26 at 7:30 p.m.

Livestream
The School of Design & Production presents the return of its wildly in style themed multimedia present of lighting and sound. Mentored by {industry} leaders and UNCSA college members Eric Rimes, Josh Selander and Clifton Taylor, lighting designers showcase their creativity and proficiency working with the newest
tools on mortgage from {industry} companions. With authentic compositions by college students in
the sound design program, Pulse shares tales of each the challenges and accomplishments
of the previous yr.

College of Drama

Modern Voices: A Digital Theater Competition
March and June 2021
The School of Drama presents 4 performs by acclaimed modern playwrights who look at problems with our
time and provides voice to those that are usually not usually heard. The filmed performs, that includes
third- and fourth-year scholar actors, shall be launched in two installments within the
spring and summer time.

Modern Voices: A Digital Theater Competition, Half 1
“Down within the face of God” by Tim J. Lord
Friday and Saturday, March 5-6 at 7:30 p.m.; Sunday, March 7 at 4 p.m.
Livestream (prerecorded content material)
“Down within the face of God,” a post-apocalyptic mashup of Greek tragedies “The Bacchae”
and “Antigone,” is the primary play in a trilogy written by up-and-coming playwright
Tim J. Lord that may be a radical reimagining of the Oedipus story. Set in modern-day
southern Illinois, “Down within the face of God” takes the viewers to a dystopian model
of the real-life metropolis of Thebes. Lord calls into query identification, faith, familial
obligation and what’s dwelling.

As a local of the Midwest and a member of the incapacity group, Lord tells tales
of individuals and communities who are sometimes missed on our levels and strives to light up
ignored and underrepresented views. Director Cameron Knight and UNCSA Studio IV and Studio III drama college students had the chance to work straight
with the playwright through Zoom as they developed the manufacturing. The efficiency was
filmed stay in Hanesbrands Theatre in the course of the fall semester. 

Down in the face of God

“Down within the face of God” was filmed in the course of the fall semester.

“Sweat” by Lynn Nottage
Friday and Saturday, March 12-13 at 7:30 p.m.; Sunday, March 14 at 4 p.m.
Livestream (prerecorded content material)
Full of heat humor and great coronary heart, Lynn Nottage’s Pulitzer Prize-winning
“Sweat” expertly weaves a story that endures with themes of financial drawback,
despair and reconciliation. Set within the Rust Belt city of Studying, Pennsylvania, in
2000 and 2008, “Sweat” follows a bunch of mates who’ve spent their lives sharing
drinks, secrets and techniques and laughs whereas working collectively on the manufacturing facility ground. However when layoffs
and picket strains start to chip away at their belief, the buddies discover themselves pitted
towards one another, and racial tensions are heightened in a heart-wrenching combat
to remain afloat. “Keenly noticed and sometimes surprisingly humorous — however in the end heartbreaking
— the work traces the roots of a tragedy with each forensic psychological element and
embracing compassion,” mentioned The New York Occasions.

Recognized for writing in regards to the lives of marginalized folks, Nottage is a professor of
playwriting at Columbia College. She is the one girl to have received the Pulitzer
Prize for Drama twice.

Quin Gordon, director of recruitment for the College of Drama, directed actors from Studios III
and IV within the manufacturing filmed stay in Hanesbrands Theatre in the course of the fall semester. 

Modern Voices: A Digital Theater Competition, Half 2
“Our Woman of 121st Road” by Stephen Adly Guirgis
Friday and Saturday, June 11-12 at 7:30 p.m.; Sunday, June 13 at 4 p.m.
Livestream (prerecorded content material)
From Stephen Adly Guirgis comes “Our Woman of 121st Road,” an irreverently brash
and insightful darkish comedy that paints a vivid comedian portrait of what occurs when
outdated mates meet outdated wounds and the way outdated habits die arduous. 

Set in New York Metropolis, a beloved Harlem nun has died, and her former college students collect
for her funeral. However her physique has gone lacking, and the delay offers the assembled
menagerie time to ponder the lives and loves they’ve misplaced (and located). Pulitzer
Prize-winning playwright Guirgis delivers a darkish comedy that reminds us that our mortality
will be (possibly needs to be) hilarious — if we will simply bear in mind what’s vital. 

Carl Forsman, professor within the College of Drama, directs actors from Studios III and IV within the
play, referred to as “uproariously enjoyable and viscerally piercing” by The Day by day Beast. “Our Woman
of 121st Road” shall be filmed in the course of the spring semester. 

“Neaptide” by Sarah Daniels
Friday and Saturday, June 4-5 at 7:30 p.m.; Sunday, June 6 at 4 p.m.

Livestream (prerecorded content material)
A comedic play in regards to the unfavorable stereotypes and therapy of lesbians within the mid-Eighties,
“Neaptide” — thought of a seminal LGBT+ theater undertaking — follows a lesbian who retains
her private life non-public amidst her wrestle for custody of her daughter after a
divorce. British dramatist Sarah Daniels has relentlessly probed the fault strains of
modern society, tackling points like energy relations between the sexes, the
place of ladies, lesbianism, pornography, male violence and sexual abuse.

Drama senior Ticket Knowlton directs actors from Studios III and IV. Born and raised in Irmo, South Carolina,
Knowlton is the primary gender-nonconforming director at UNCSA and beforehand assistant
directed “Our City,” “Cider Home Guidelines, Components I and II,” “Subsequent to Regular” and “Scenes
from an Execution.” “Neaptide” shall be filmed in the course of the spring semester. 

College of Filmmaking

Better of the College of Filmmaking
Friday by way of Sunday, March 19-21

On demand
Interim Dean of Filmmaking Dale Pollock curates a group of a few of the greatest quick movies created by scholar filmmakers
from all through the historical past of the college.

Screening of Third- and Fourth-12 months Movies
Friday by way of Sunday, Might 21-23

On demand
The College of Filmmaking presents the premiere of all kinds of remarkable work
by third- and fourth-year Filmmaking college students, together with narrative, documentary and
animated initiatives, screened for a restricted time earlier than their launch into the pageant
circuit.

College of Music

Beneath are highlights of scholar live shows for spring 2021. See accompanying announcement for info on a collection of visitor artist performances, and the web efficiency
calendar for a whole itemizing of school, scholar and visitor artist live shows.

Czech Connection: UNCSA Ensembles in Live performance
Thursday, March 11 at 7:30 p.m.

Livestream (from the Stevens Heart) 
That includes a program of works by Josef Suk, Anton Dvořák and Joseph Haydn carried out
by UNCSA scholar ensembles together with the Brandenburg Ensemble, the Wind Dectet and
the Chamber Orchestra.  

As a younger composition scholar on the Prague Conservatory, Josef Suk was inspired
by his mentor, Anton Dvořák, to compose a chunk that was “lighter in temper.” He responded
together with his Serenade for String Orchestra to be carried out on this program by the Brandenburg
Ensemble carried out by UNCSA Affiliate Conductor Karen Ní Bhroin. Dvořák’s attractive melodic writing and distinct nationwide character are current in
the chamber winds association of his “Czech Suite” carried out by the UNCSA Wind Dectet
carried out by Mark A. Norman. Moreover, the UNCSA Chamber Orchestra performs Haydn’s Symphony No. 22, “The
Thinker,” carried out by Ní Bhroin. 

Czech Connection

“Historical Airs and Dances”: UNCSA Ensembles in Live performance
Friday, March 12 at 7:30 p.m.

Livestream (from the Stevens Heart)
Renaissance and Baroque music from France, Italy and Germany is remastered for diverse
ensembles on this energetic live performance program. Italian influences are heard in Respighi’s
“Historical Airs and Dances” carried out by the Amadeus Gamers carried out by Karen Ní Bhroin.
Robert Spittal’s modern reflection on Sixteenth-century French songs offers a full of life,
heartfelt and capricious suite as carried out by the Chamber Winds carried out by Mark
A. Norman. The live performance concludes with the premiere of the Bergstone Brass, a brass
ensemble named in reminiscence of the College of Music’s founding faculty-artist in horn,
Fredrick Bergstone. They are going to carry out Brian Balmages’ provokingly highly effective brass and
percussion choir work “Ite missa est” that includes Martin Luther’s “Ein feste Burg ist
unser Gott” (“A Mighty Fortress is our God”).

nu Ensemble: Emotive Responses
Saturday, March 27 at 7:30 p.m.

Livestream (from the Stevens Heart)
Based in 2007 to offer college students with alternatives to carry out artwork music that displays
present traits and cultural considering, the nu Ensemble performs works that characterize the innovative of the present music scene together with
the chamber premiere of Joel Puckett’s “It Perched for Vespers 9” and the East
Coast premiere of Quinn Mason’s “Modifications/Transitions” in response to the Black Lives
Matter motion. Music by Carlos Simon and Anna Clyne involving spoken phrase, electronics
and movie are additionally featured, as is the premiere of a brand new work by scholar composer Drew
Harris. Performed by Saxton Rose and Mark A. Norman.

UNCSA Concerto Competitors
Sunday, Might 2 at 1 p.m. 
Livestream (from Watson Corridor)
This yr’s annual Concerto Competitors options famend musicians as judges: Marin
Alsop, music director of the Baltimore Symphony Orchestra and chief conductor of the
Vienna Radio Symphony Orchestra; Demarre McGill, principal flute of the Seattle Symphony;
and Violaine Melançon, founding violinist of the Peabody Trio.

The ultimate spherical shall be streamed stay from Watson Corridor, and the winner earns the chance
to carry out as a featured soloist with the UNCSA Symphony Orchestra or Wind Ensemble.

Spring Opera: French Opera Double Invoice
Friday, Might 7 at 7:30 p.m. and Sunday, Might 9 at 2 p.m.
Livestream (from the Stevens Heart)
The A.J. Fletcher Opera Institute presents two one-act French operas from the twentieth century. First, Gabriel Pierné’s
“Sophie Arnoud.” Sophie was a well-known singer in the course of the time of the final half of the
18th century. In her retirement, her former lover Duvall makes a go to and a long-held
secret is revealed. “L’heure espagnole” (“The Spanish Hour”) is a comic book opera by Maurice
Ravel. A jealous husband, a spouse with a roving eye, and a muleteer meet at a clock
store one morning. James Allbritten is music director, with stage route by Steven LaCosse and music preparation by Angela Vanstory Ward.

As well as, Fletcher Opera will current a salon opera double invoice by Manuel García,
Sr., livestreamed from the Stevens Heart at 7:30 p.m. Friday, Feb. 26 and at 2 p.m.
Sunday, Feb. 28.

Fletcher Opera

A scene from “Werther,” the 2019 winter opera. / Picture: Peter Mueller

Season Finale: Beethoven to Copland!
Saturday, Might 15 at 7:30 pm
Livestream (from Agnes de Mille Theatre) 
This season finale live performance for the College of Music options Beethoven’s Symphony No.
1 transcribed for harmonie ensemble by Beethoven’s protégé, Georg Schmitt, as carried out
by the UNCSA Chamber Winds carried out by Mark A. Norman. Karen Ní Bhroin leads the
UNCSA Chamber Orchestra in Aaron Copland’s epic “Appalachian Spring.”  

As well as, a beforehand introduced live performance by the Reynolda Quartet highlights a season of free livestreamed performances by acclaimed faculty-artists
within the College of Music, together with a Valentine’s live performance that includes woodwind college
pairs on Saturday, Feb. 13; a duo piano recital by Allison Gagnon and Dmitri Shteinberg on Tuesday, Feb. 16; a program of Prokofiev’s work for piano and strings carried out
by Allison Gagnon with Janet Orenstein, Brooks Whitehouse and Ulrich Eichenauer on Saturday, Feb. 27; a program of world premieres by feminine composers with the flute
and soprano duo Anima Vox (Tadeu Coehlo and Carole Ott Coehlo) on Tuesday, March 9; a recital by violinist Kevin Lawrence and pianist Dmitri Shteinberg on Saturday, March 13; and solo repertoire for horn
and trumpet that includes works by feminine composers carried out by Maria Serkin and David Dash on Tuesday, March 30. Particulars can be found within the online performance calendar.

A collection of performances by distinguished visitor artists can also be introduced; see accompanying press release.

Contact Media Relations

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